Sunhari Kirne From Gandhi Talks: A.R. Rahman–Arijit Singh Reunite For A Soothing Musical Moment

It’s always a moment of quiet excitement for Indian music lovers when A.R. Rahman returns with a new film score, and the composer has been on a particularly prolific run of late. With Kishor Pandurang Belekar’s Gandhi Talks gearing up for its theatrical release, the film’s music has begun to surface online. One of the first tracks to arrive is “Sunhari Kirne”, composed by Rahman and sung by longtime collaborator Arijit Singh.

True to its essence, Sunhari Kirne doesn’t attempt to overcomplicate itself. It unfolds as a linear, soothing composition,unassuming on the surface, yet layered in a way that rewards attentive listening. The track opens with a restrained arrangement of flute, bass guitar, soft strings and gentle percussion, allowing the melody ample room to breathe. Before the listener can fully settle into its structure, Arijit Singh’s voice enters, immediately anchoring the song with warmth and emotional clarity.

Arijit navigates Rahman’s soundscape with ease, letting the arrangement gradually expand towards the first chorus. A more pronounced bass guitar replaces the need for heavier percussion, while violins rise subtly to elevate the emotional arc. Singh’s effortless handling of minor notes adds depth and poignancy, giving the lyrics a lingering resonance. Rahman’s understanding of Arijit’s vocal strengths once again proves to be a winning combination.

What ultimately sets Sunhari Kirne apart, however, is its lyrical depth. Penned by Sameer Samant, the song weaves gentle references to India’s freedom struggle and the spirit of those who fought for it,nuances that are likely to gain even greater meaning within the context of the film. Rather than opting for obvious or simplistic imagery, Samant crafts verses that feel thoughtful, measured and deeply sincere. Each line carries intent, making the song feel less like a composition and more like a quiet reflection,honest, evocative and rooted in emotion.