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All about Content: If Content is King who is the Emperor?

All about Content: If Content is King who is the Emperor?
All About Music, a conference hosted by TM Talent Management held on September 18-19 for understanding and providing real-time solutions and networking opportunities for musicians, producers and industry professionals shed some light on the quality and quantity of content out there and the democratization of music/content and what approaches to take to succeed in the digital media space. The panel consisted of leading industry professionals like Shekhar Ravjiani - music composer, singer & actor, Vishal Bhardwaj - film director, music composer, singer, Ajay Nair - COO & CFO, OML and Mukesh Bhatt, Chairman, Vishesh films with the session being moderated by Sabbas Joseph - Director, Wizcraft Entertainment. There’s no doubt about the fact that the Music Industry in our country is mostly film music-centric so seeing more and more independent musicians, bands and artists come to the fore with fresh sounds and beats is like a breath of fresh air. We wanted to understand how can someone stick out and make their mark in the industry because let’s face it, there’s a sea of content out there on every platform and it’s easy to go unnoticed. Being honest with your craft is something so many people in the industry say and that has me wondering, is it easy to get lost in the crowd and compromise with the kind of work we do? After all, there is so much talent and scope but how does one consistently ensure that you’re bringing your A game.

Passion and honesty, Strive For an engaging & Authentic Connect via Content!

This has to be something that every artist out there must resonate with because it’s something we all strive for. When Sabbas Joseph asked Shekhar on insights on him changing the paradigm in film music,
“Making music is a collaboration between the composer and the producer/filmmaker and the only way you can make music passionately is when you forget about what will work or not. That’s for the audience to decide, Honesty is the most important when making music. Independent music needs a support system, needs backing from friends and the media because the content being created right now is mainly done for Bollywood music but it’s great to see there are some really interesting things going on. There was a time when independent pop music was massive. Now, it can be huge but somehow it’s still not there. Besides that there are artists who’ve done really well for themselves in the independent music scene like my friend, Raghu Dixit and so many new bands and artists who are doing brilliant stuff and even OML who are putting out great content but it still needs a push from the media, television and radio channels because only then will the music find its reach.” replied Shekhar.

Now the focus is on Vishal Bharadwaj and the many feathers he dons - filmmaker, producer, writer, composer and even singer. How does that all work together? Asks Sabbas Joseph.

 
All the jobs are separate and sometimes it just comes all together. Sometimes while writing the scripts the songs come, other times it’s difficult for me to observe my own work objectively so I keep brutally honest friends around to give me an honest feedback and Gulzaar sir is very straight forward when it comes to music. Making the tune and making it sound effortless is the key when I compose. Of late I started composing music while walking or when there’s absolute silence. I let it come from within. I remembered Gulzaar’s poetry by heart and I mean every poem - word by word. It was my dream when I came from Meerut to Mumbai that in this lifetime I want to do just one song with him but I think I’ve done the most compositions with him so far. It’s become such an organic process with him now that we bounce off of each other and the words and tunes just flow together.” Said Bhardwaj on the magical Vishal Bhardwaj-Gulzaar duo.

OML has been doing so much across digital media and has changed the way music is perceived in the industry and has given us new formats of music and this is seen throughout the digital space. What is it that clicks best and works together in terms of the kind of content being put out there?

“It’s an interesting time for us since we’re beginning to experiment with music as creators. For example, AIB or TVF who are known for comedy or drama, the amount of time and effort they spend on getting the music right for that content (in AIB’s case it’s usually parodies) because they know that the one thing that will work in India is if you get the music right you will get your views and hits and therefore for them it’s a very integral part of the content making process. Also, now with online streaming services like Amazon prime, we’re no longer restricted to just TV as a medium. Everybody is thinking that way now which is great because there are millions of people watching this video content and it’s all very collaborative. We’re fortunate enough to be working with a lot of musicians, comedians and creators and encourage them to work with each other and can create organic music. When it comes to content, there’s no formula to what will work - you might have great content but getting that music right is the most important - whether it’s the background score or title track but that will happen now because of this medium. That will start now.” said Nair to Thakur.

Sabbas Joseph asks Mr. Bhatt, No one has discovered more talent in cinema music than you have. What do you look for in your music composers and singers?

“I have been gifted with a good ear and 90 percent of the musicians I come across are not even aware of that talent. I push them to tap into that. I don’t get satisfied that easily since audiences expect good music so that is challenging but there is SO much of talent in our country the problem is we don’t have the time to pause and listen. Sundays I spend only on music - that’s my hobby, pass-time, my high. I have singers, lyricists who come and sing, I just listen to them. That’s how I discovered Atul Tiwari, Atif Aslam, Rahat Fateh Ali Khan when I was in Lahore. I have no falsity that I’m doing them a favor. It’s them who’re doing me the favor by giving me the fragrance of fresh music and I want to hear things that haven’t been done before. With digitization coming in the picture I feel this is the golden opportunity for a person like me to create and work on path breaking, destructive ideas and I’m not dependent on the multiplexes. This transition is very exciting as a content producer. As of now, if you have talent there are ample of opportunities for you to go out there and achieve It.” said Mukesh enthusiastically.  

“A 2014 report by Hungama indicates that Bollywood accounts for 81 percent of India’s digital music consumption. But despite film music’s preponderant influence on India’s popular music, in the last decade, the country has seen significant growth in the independent music of all stripes. Live bands, DJs and producers, and solo artists are appearing in unprecedented numbers on stages across the country. Their audiences may comprise only a small portion of the overall population, but in absolute terms, they have the ears and attention of many Indians.” is what a Forbes article had to say about the resurgence of Independent music.

Most of us have seen the wild side of Vishal Dadlani because of his non-film music. Any reason why you haven’t explored the non-film music in a larger way? Asks Sabbas Joseph to Shekhar.

“I have put out a couple of singles out there and continue to do so but Bollywood music has more priority and more consumption. Independent music needs a support system, needs backing from friends, the media because the content created is mainly done for Bollywood music but there are some really interesting things going on too. There was a time when independent pop music was massive! It can be huge but somehow it’s still not there. There are people who’ve done really well for themselves in the independent music scene like my friend, Raghu Dixit and so many new bands and artists who are doing brilliant stuff and even OML who are putting out great content but it still needs a push from the media, television and radio channels because only then will the music find it’s reach. Being a judge on a reality show, I’ve been seeing great talent however the thing lacking is patience. They want instant results. There are lots of examples of one-hit wonders where singers have toured all over, made lots of money so they feel like even one hit will ‘do it’. Having talent and nurturing it is most important. There are so many platforms like YouTube, streaming services, and apps - just put yourself out there. These days talent goes viral in minutes.” Now coming to one of the most important aspects of this discussion regarding digital platforms and the democratization of content in the age of information.Sabbas Joseph asks Ajay, you’ve seen the democratization of content - whether it’s the film or music industry. You could be anyone making your music and putting it out there. How are your exploring and exploiting this? “I don’t think it’s a very good thing necessarily, for example, if a couple of years ago you wanted to put out content online and had to get noticed you needed to be at a certain level of quality to be discovered and for it to go viral but that’s not the case anymore. Just see the Trending page on YouTube today - 80% of it is crap. The television edition of YouTube has happened. And that makes it more difficult to come across quality content in the vast world of content. I’d suggest spending more time on creating high-quality content. Understand that it’s not as easy as it was before and it will keep getting more difficult. Look at all these recent viral hits which have been trending all over the news these days. When there is so much content out there, it’s sensational content which will hit the spot. Unfortunately, right now the biggest music creators online are mostly cover bands. There’s very little original music which is really doing well online. Make sure you’re working with the right people and platforms and that you’re putting it out on different streaming apps apart from YouTube and just remember good things take time and it’s important to give your craft time.”

What about the global audiences responding to indie music? Especially in the experiential format? Vishal, could you share your experiences.

“They have a lot of respect for our musicians and composers globally. Musically speaking, we’re way ahead than the west. The depth and level of sound is just amazing which AR Rahman helped bring forward. What we seriously lack is musicians working on the craft and they focus more on just getting their stuff out. Music is just about constantly working on your craft.”
So there you have it, if you’re an aspiring musician, writer, producer or even filmmaker there’s so much scope for you, now more than ever. Work on your passion, try and perfect it each day, get it out there on the right platforms and if it is that good, the right people will reach out to you and guide you.     

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