Simran Choudhary Talks About Her Hit Song ‘Lutt Le Gaya’ From Dhurandhar

Simran Choudhary, a classically trained singer-songwriter from Chandigarh, has performed on stages worldwide and captured hearts with hits like Sunn Husna Di Pariye (with Amit Trivedi), Aje Na Jaa, Rehle Mere Kol (with Aditya Rikhari), and 2024’s chart-topper Aayi Nai from Stree 2.

She also lent her voice to the blockbuster film Dhurandhar with the song Lutt Le Gaya, solidifying her status as one of the most exciting voices in Indian music.

In this interview with Loudest.in, she discusses her latest song ‘Lutt Le Gaya’ from the blockbuster film Dhurandhar.

Here are edited excerpts:

‘Lutt Le Gaya’ has a strong emotional pull. What was your first reaction when you heard the composition, and how did you find your vocal space within Shashwat Sachdev’s soundscape?

I cracked the composition myself. Shash called me to the studio and wanted me to come up with something special around it. While the overall arrangement and treatment were shaped collaboratively, I began writing the lyrics, and Shashwat kept guiding me on the direction we should take.

One thing that really helped was Shash’s support and clarity. Overall, the entire song-making process was genuinely fun. Opportunities like this are rare,where you’re constantly on your toes and pushed into a do-or-die creative zone. But in the end, that pressure brings out something truly rewarding

This is a key song in Dhurandhar. How did you approach singing for the narrative of the film rather than just the melody of the track?

To be very clear, I had no idea this was for Dhurandhar. I was simply given a situation to write for, and I went ahead and did that.

That’s often how it works,most playback singers aren’t told which film they’re working on. Only occasionally do you ask,

‘Which movie is this for?’

For me, though, the only focus in the studio was to do the best possible job, regardless of the project.”

You’ve moved fluidly between independent music and film projects. How did this collaboration challenge or evolve you as a singer?

Playback singing has its own advantages,it gives an artist a lot, especially in terms of mass reach. The visibility and scale that come with a film song are unmatched. Being placed in a movie offers a kind of exposure that’s hard to replicate anywhere else, and that’s undoubtedly a big positive.

That said, what really sets playback singing and independent music apart is the role you play as an artist. In playback, you’re essentially singing for someone else. You’re not telling your own story,you’re voicing a character, stepping into a role that may not personally resonate with you, but you do it because that’s the nature of the medium.

Independent music, on the other hand, puts you right at the forefront. Your story is central. If people connect with the music, they’re connecting with you. And if they don’t, that rejection is personal too. There’s no disguise, no character,everything is out in the open.

Dhurandhar brings together strong cinematic storytelling and music. How important is it for you today that a song contributes meaningfully to the film’s emotional arc?

I believe filmmakers need to ensure that any song they include adds real value to the project,otherwise, why make the song at all?

Especially today, songs have become a key promotional tool, sometimes even more than the film itself. It’s common now to see two or three songs released before the trailer, simply to build anticipation, hold audience interest and create buzz.

For singers, this does open up more opportunities and visibility. At the same time, it also places greater responsibility on the filmmaking team to ensure that every song remains relevant and serves a clear purpose within the larger narrative.

With audiences increasingly discovering songs digitally first, what does it mean for you to see ‘Lutt Le Gaya’ resonate with listeners even outside the context of the film?

It’s honestly been very overwhelming to see the amount of love the song has received. When I first watched the film, I thought, ‘Okay, it’s just a two-minute moment.’ But to my surprise, audiences have connected deeply with it.

I’ve received so many messages from people saying that when they heard the song in the film, they went back home wanting to find it and listen to it again. That response means a lot.

I think several factors contributed to this connection,the production by Shashwat, the composition, the way he guided me vocally, and of course, how Aditya placed the song within the film. That placement is a very crucial aspect, and I believe it’s one of the key reasons why the song has resonated so strongly with listeners.

Which collaboration stood out as your favourite, especially among the ones you did in 2025?

I got the opportunity to collaborate with Amit Trivedi sir in March, and that was truly special. It’s a song I enjoyed immensely,it’s fun, and the entire song-making process was incredibly enjoyable. That collaboration really stands out for me.

I also loved working with Aditya on Rehli Mere Kol. That experience was equally memorable because the process was so effortless and smooth. Both collaborations hold a special place for me.

With the live music scene booming and the concert economy growing rapidly, can we expect to see you performing at live concerts in the near future?

Absolutely. I’m very optimistic about 2026,it’s shaping up to be a year packed with a lot of live shows.

So what are the upcoming projects lined up?

I have a really exciting collaboration coming up around mid-January. The track is completely ready,we’re just waiting for the right moment to share it with the world. That’s definitely something to look forward to.

Beyond that, I’m also working on my debut album, which is slated for release in 2026.”

On the album, she adds:“The album will be a celebration of the culture and legacy I represent. I often speak about folk music, folk traditions, and our heritage, and this project brings all of that together. It’s truly a celebration of where I come from.

What’s your perspective on AI in music? Are you using AI in your creative process, and do you feel it’s helping or impacting your work in any way?

AI is absolutely fine,but only if it’s used wisely. You need to have your own mind and senses fully in place so that you don’t overuse it or start exploiting it.

For instance, Delhi Miracle was one of the early releases in the industry where AI was used very deliberately. The stacked chorus you hear in the song is entirely AI-driven,but it’s still our own vocals. It’s my voice, Hiten’s voice, and we recorded everything first and then used AI to tweak and layer it. There’s nothing wrong with that.

The problem begins when AI starts diluting the energy or emotion of the music. The human touch can never be replaced. AI should enhance creativity, not take it over.

I mean, let’s be honest,almost everyone uses ChatGPT today. But the line has to be drawn when you stop using your own brain and rely entirely on AI. That’s the red flag. I see it happening a lot, especially for ideation, writing emails, or even simple messages. That’s where we need to pause and make sure we’re not outsourcing our thinking. AI should assist us, not replace our minds.