The Economics Of Emotion: Making Culture-First Music Events Sustainable
In this guest column,she highlights emotion as the key driver of culture-first events, showing how authenticity and trust can make them financially sustainable
In this guest column,she highlights emotion as the key driver of culture-first events, showing how authenticity and trust can make them financially sustainable
In the world of live music and cultural festivals, we often talk about scale, footfalls and sponsorships. But what truly draws people in , what makes them return year after year, is emotion. The goosebumps when a folk song hits a familiar note. The silence in a crowd when a story mirrors someone’s own life. The collective joy of strangers feeling something together.
Emotion is the real currency of culture-first events. The challenge, however, is turning that emotional capital into an economically sustainable model without diluting the soul of the experience.
At Udaipur Tales International Storytelling Festival, we learnt this early. Storytelling is not a mass spectacle in the traditional sense. It doesn’t rely on headline acts or booming sound systems. It thrives on intimacy, authenticity and trust. Yet, it still needs infrastructure, artist fees, production, travel, marketing and long-term planning. Emotion alone doesn’t pay bills,but when respected, it can build ecosystems that do.
One of the biggest myths in the events business is that culture-led programming cannot scale. The truth is, it simply scales differently. Instead of chasing volume, it builds depth. A 200-person audience that feels deeply connected is more powerful than a disengaged crowd of 2,000. These are the people who buy passes without discounts, bring their friends, support merch, attend workshops and become ambassadors long after the lights go out.
We’ve seen this play out repeatedly. At one of our editions, a late-evening storytelling session featuring regional voices, no celebrity names, no viral hooks, became the most talked-about moment of the festival. Attendees stayed back, sat on the floor, some with tears in their eyes. The next year, that very session sold out first. Emotion created demand. Demand created sustainability.
For culture-first music and storytelling events, sustainability comes from designing multiple value layers. Ticketing is only one part of the puzzle. Workshops, residencies, curated community dinners, limited-edition collaborations, brand partnerships rooted in shared values, these are not add-ons, they are extensions of the emotional journey.
Brands today are no longer just looking for eyeballs; they are looking for meaning. When a brand supports a folk music sunrise concert or an intimate storytelling circle, it gains cultural credibility that no billboard can buy. We’ve found that partners who align with emotion-led narratives stay longer, invest deeper and allow creative freedom, because the association feels human, not transactional.
Another critical factor is treating artists as collaborators, not commodities. When musicians and storytellers feel respected, paid fairly and involved in the curation process, they bring their best selves to the stage. Audiences sense that honesty immediately. Sustainable events are built on mutual dignity, between organisers, artists and audiences.
Technology, too, plays a subtle but important role. While we resist over-digitising live experiences, thoughtful use of digital platforms, from archival content to post-event community engagement , helps extend the emotional life of an event. A song doesn’t have to end when the stage lights go off. It can live on through conversations, recordings, reflections and future gatherings.
Perhaps the most important lesson is patience. Culture doesn’t grow in quarters; it grows in years. Many of India’s most respected cultural platforms took time to find their voice. They didn’t rush to monetise every moment. They allowed trust to compound. In a world obsessed with instant virality, choosing to build slowly is a radical act.
As India’s live music and cultural ecosystem expands beyond metros and mega-festivals, there is space and need, for events that put emotion first. Not as a soft idea, but as a strong economic principle. Because when people feel seen, heard and moved, they don’t just attend events, they sustain them.
The future of culture-led music events lies in recognising a simple truth: emotion is not the opposite of business. When nurtured with care, it is its most enduring foundation.